The Day the Music Paused

I am part of a community that most people don’t even know exists.

Jazz, voted the least popular genre of music in a poll done in Santa Cruz (really, we came in after polka!), is alive and well in our little edge of the universe. I am on the board of our local Jazz Society, which has a weekly newsletter, puts on jams, and offers a well-attended monthly lecture series.

Until this month.

This coming weekend brings the regular jam date, but the brewery where our jam takes place will be silent. We have entered The Great Pause.

There are so many ways that this is going to hurt our fragile little enterprise. First, our large group brought in a good amount of money to support a locally owned business. Second, we paid professional musicians to come in and provide a solid backing band for musicians from beginner to professional. Third, we exchanged information and ideas in a thriving corner of a musical discipline that is threatened with extinction.

It occurs to me that this pause is harming community on all sorts of levels. It’s financial, it’s musical, it’s emotional.

But let me take a moment to describe our jam as it was rather than focusing on what might or might not be:

The band arrives early and sets up. Our drummer, bass player, and pianist are professionals who have had long careers. It’s such a thrill that our Jazz Society members can pay them for their hard work.

Next, our fearless jam coordinator arrives with the all-important clipboard. Already several avid players who want to get the first slots are there, poised to sign up. Other players and audience members arrive as the music starts. This is a tight community: The band members wave and sometimes pause their playing to give hugs.

The bar and nearby restaurant do an unusually good amount of business on these Sunday afternoons. Participants buy beer brewed on site, soft drinks, and barbecue from next door.

We have all the instruments you’d expect…and more. We regularly have singers, from beginners to pros, horn players of all varieties, woodwinds, guitarists, and an occasional violinist, harmonica player, and once we even got a recorder player from Sweden. We also get lots of pianists, drummers, and bass players who spell the band and take their turn.

Each musician gets to call two tunes and invite other soloists up with them. Sometimes we get full horn sections playing well-known standards. Sometimes we get songwriters sharing their own tunes. The mood ranges from maudlin to magic, and it’s all in good fun.

Perhaps what I’m describing doesn’t seem that amazing until you consider the fact that we are an isolated county of 250,000, hemmed in on side by the Monterey Bay and the other by mountains. We don’t seem like a likely place for a thriving jazz community.

Yet it thrives. In part it thrives because of the hard work for over 20 years of a group of dedicated board members. In part it thrives because Santa Cruz has a long tradition of art for art’s sake, with pros and amateurs finding a comfortable home here. But mostly it thrives because we all value the camaraderie and learning that happens on those Sunday afternoons.

For now, we have gone silent. Until we meet again, you can check out our rather new Youtube channel, which has some moments from our jams and a few of our lectures available. If you’re a player who wants to be part of our community, you can subscribe to our newsletter and join our Facebook Group.

Like everyone during this Great Pause, the Jazz Society board is in wait-and-see mode. There will be a lot of work that will have to be done to pick up the pieces when life gets back to normal.

But the music will go on!

Take your children to hear live music!

I’m reading a fantasy novel in which the main character is a musician. When he is entrapped by a malevolent fairy, he tames her through his music.

I’m pretty certain that the story wouldn’t quite be the same if our hero had pulled an iPhone out of his pocket and said, “Hey, listen to this sick new track by Bruno Mars!”

There’s something special about live music

All hail the Great Morgani! (Photo courtesy of the Santa Cruz Sentinel.)

No matter who the musician is, whether a down-and-out traveler trying to make a buck on a sidewalk or the New York Philharmonic, musicians are in it to communicate. Recordings have many wonderful qualities, but they lack that person-to-person connection you find in live music.

What happens when you hear live music? It’s a one-to-one conversation between the musician and each listener. Though the musician may not be looking at each member of the audience, each member of the audience is within the sphere of communication that the musician has set up, whether that’s the distance an acoustic guitar can be heard on a busy street, or the surround sound of a stadium performance.

This one-to-one transmission is special, and is fundamentally different than listening to recorded music. Perhaps the continuing popularity of live recordings testifies to a bit of the live feeling being transmitted. Despite the fact that we can make “perfect” recordings in studios, live music feels more real.

All live music is valuable

Sometimes it seems that parents feel they need to choose “important” music to bring their children to. But I would argue that unless your child is enthralled with opera, a guy playing a squeezebox on the corner will make a deeper connection with your child than the greatest opera singer.

Concerts that require our children to go against their natures won’t connect with their nature. Being confined to a seat, being forced to look quietly in one direction, being too far away to make a personal connection—it’s no wonder that many kids balk at being taken to concerts.

I recommend finding a cafe that features local musicians. Go to a busy downtown on a nice day. Some of the musicians that children appreciate most in my community are an accordion player who dresses in wild costumes and a large marimba group that sets up on street corners and plays at festivals.

Music is communication

If you can find a situation where your child can actually interact with the musician, even better. My kids loved putting money in buskers’ cases. And we loved the orchestra “petting zoo” that our local symphony puts on each year.

Our local symphony hosts an orchestral “petting zoo.” (Photo courtesy of the Santa Cruz Sentinel.)

Music together

If you can’t get out to hear live music today, another thing you can do listen together—not in earbuds!—or sing together. Make music, share music, and live longer and happier lives.

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